The Arrival - (2016)

 The cinematography is particularly notable, with its use of atmospheric lighting and evocative camera angles that create a sense of mystery and suspense. The visual aesthetics immerse the audience in the isolated atmosphere of the film, highlighting how alone the main character feels. The sound design adds depth and emotional resonance to the narrative. 

Narrative structure:

1st = Protagonist establishes the central conflict

2nd = Delves deeper into the unfolding her conflict and reasoning for her decision, unveiling clues and introducing obstacles that that ultimately lead to her confusion over an abortion 

3rd = Her panic slightly turns into excitement, whilst she dwells on the possibilities of what her child could be like

Covered lens, highlighting confusion, isolation, and allowing for the only source of light to be focused on the lady. 

Camera slowly tracks in consistently from a mid-shot to a close up, highlighting her performance. As the camera movement is smooth and consistent, it allows for the spectator to focus on her performance. The mise-en-scene is bleak with high contrast between light and dark; chiaroscuro. 

Other actors/characters not fully in the screen, once again emphasising how isolated and alone she is. 

The lighting dims, making her background completely disappear. This dramatic lighting focuses on her dread and worry, whilst symbolically showing her torn mindset over an abortion as half her face is in the light whilst half is in the dark. 

The camera tracks backwards after dollying in, relieving tension and panic. She breaks the fourth wall as the 'father' approaches, showing her shock and making her evoke curiosity from the spectator.